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Aristotle and Plato in ancient Greece wrote about problems of wealth, property, and

trade, both of whom were prejudiced against commerce, feeling that to live by trade was undesirable.

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更多“Aristotle and Plato in ancient…”相关的问题

第1题

_____ is called a Encyclopedia of character in Greek.A、SocratesB、PlatoC、Aristotle

A.Socrates

B.Plato

C.Aristotle

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第2题

_____ said “I am the midwive of philosophy ”.A、SocratesB、PlatoC、Aristotle

A.Socrates

B.Plato

C.Aristotle

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第3题

Socrates’ theory is mainly organized by whom?A、PlatoB、AristotleC、Thales

A.Plato

B.Aristotle

C.Thales

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第4题

Compared with Plato, the biggest character of Aristotle is_____.A、comprehensivenessB、sci

A.comprehensiveness

B.scientificty

C.far-reaching

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第5题

_____created the world famous Athens school.A、SocratesB、PlatoC、Aristotle

_____created the world famous Athens school.

A、Socrates

B、Plato

C、Aristotle

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第6题

Who was the first to pick out eidos?A、SocratesB、PlatoC、Aristotle

Who was the first to pick out eidos?

A、Socrates

B、Plato

C、Aristotle

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第7题

The Greek philosopher______ identifies three fundamental strategies for persuading an

A.Aristotle

B.none of the above

C.Plato

D.Socrates

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第8题

TEXT D"Museum" is a slippery word. It first meant (in Greek) anything consecrated to the M

TEXT D

"Museum" is a slippery word. It first meant (in Greek) anything consecrated to the Muses: a hill, a shrine, a garden, a festival or even a textbook. Both Plato's Academy and Aristotle's Lyceum had a mouseion, a muses' shrine. Although the Greeks already collected detached works of art, many temples - notably that of Hera at Olympia (before which the Olympic flame is still lit) - had collections of objects, some of which were works of art by well-known masters, while paintings and sculptures in the Alexandrian Museum were incidental to its main purpose.

The Romans also collected and exhibited art from disbanded temples, as well as mineral specimens, exotic plants, animals; and they plundered sculptures and paintings (mostly Greek) for exhibition. Meanwhile, the Greek word had slipped into Latin by transliteration (though not to signify picture galleries, which were called pinacothecae) and museum still more or less meant "Muses' shrine".

The inspirational collections of precious and semi-precious objects were kept in larger churches and monasteries - which focused on the gold-enshrined, bejewelled relics of saints and martyrs. Princes, and later merchants, had similar collections, which became the deposits of natural curiosities: large lumps of amber or coral, irregular pearls, unicorn horns, ostrich eggs, fossil bones and so on. They also included coins and gems - often antique engraved ones - as well as, increasingly, paintings and sculptures. As they multiplied and expanded, to supplement them, the skill of the fakers grew increasingly refined.

25.The sentence "Museum is a slippery word" in the first paragraph means that

A. the meaning of the word didn't change until after the 15th century.

B. the meaning of the word had changed over the years.

C. the Greeks held different concepts from the Romans.

D. princes and merchants added paintings to their collections.

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第9题

Text 4 Humor, which ought to give rise to only the most light-hearted and ** feelings, can
often stir up vehemence and animosity. Evidently it is dearer to us than we realize. Men will take almost any kind of criticism except the observation that they have no sense of humour. A man will admit to being a coward or a liar or a thief or a poor mechanic or a bad swimmer, but tell him he as a dreadful sense of humour and you might as well have slandered his mother. Even if he is civilized enough to pretend to make light of your statement, he will still secretly believe that he has not only a good sense of humour but are superior to most. He has, in other words, a completely blind spot on the subject. This is all the more surprising when you consider that not one man in ten million can give you any kind of intelligent answer as to what humour is or why he laughs.

One day when I was about twelve years old, it occurred to me to wonder about the phenomenon of laughter. At first I thought it is easy enough to see what I laugh at and why I am amused, but why at such times do I open my mouth and exhale in jerking gasps and wrinkle up my eyes and throw back my head and halloo like an animal? Why do I not instead rap four times on the top of my head or whistle or whirl about?

That was over twenty years ago and I am still wondering, except that I now no longer even take my first assumption for granted, I no longer clearly understand why I laugh at what amuses me nor why things are amusing. I have illustrious company in my confusion, of course, Many of the great minds of history have brought their power of concentration to bear on the mystery of humour, and, to date, their conclusions are so contradictory and ephemeral that they cannot possibly be classified as scientific.

Many definitions of the comic are incomplete and many are simply rewording of things we already know. Aristotle, for example, defined the ridiculous as that which is incongruous but represents neither **er nor pain. But that seems to me to be a most inadequate sort of observation, for of at this minute I insert here the word rutabagas, I have introduced something in congruous, something not funny. Of course, it must be admitted that Aristotle did not claim that every painless in congruity is ridiculous but as soon as we have gone as far as this admission, we begin to see that we have come to grips with a ghost when we think have it pinned, it suddenly appears behind us, mocking us.

An all-embracing definition of humour has been attempted by many philosophers, but no definition, no formula had ever been devised that is entirely satisfactory. Aristotle's definition has come to be known loosely as the "disappointment" theory, or the "frustrated expectation", but he also, discussed another theory borrowed in part from Plato which states that the pleasure we derive in laughing is an enjoyment of the misfortune of others, due to a momentary feeling of superiority or gratified vanity in appreciation of the fact that we ourselves are not in the observed predicament.

第36题:Which of the following can be inferred from the first paragraph?

[A] People don't like to be considered as one with no sense of humour.

[B] People will give you a satisfactory answer to what humour is.

[C] People would like to be a liar or a coward.

[D] People can make light of other's comment on their sense of humour.

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第10题

柏拉图(Plato)

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