Aesthetic thought of a distinctively modern art emerged during the 18th century. The weste

第1题

Aesthetic thought of a distinctively modern bent emerged during the 18th century. The west

ern philosophers and critics of this time devoted much attention to such matters【C1】______ natural beauty, the sub-lime, and representation -- a trend【C2】______ the central position they had given to the philosophy of nature.【C3】______ that time, however, the philosophy of art has become more【C4】______ than ever and has begun to【C5】______ the philosophy of nature. Various issues【C6】______ to the philosophy of art have had a marked impac【C7】______ the orientation of 20th-century aesthetics.【C8】______ among these are problems relating to the theory of art as from and to the【C9】______ between representation and expression. Still another far-reaching question has to do with the value of art. Two op- posing theoretical positions【C10】______ on this issue: one holds that art and its appreciation are a means to some recognized moral good,【C11】______ the other maintains that art is intrinsically valuable and is an end in itself. Underlying this whole issue is the concept of taste, one of the basic concerns of aesthetics. In recent years there has also been an increasing 【C12】______ with art as the prime object of critical judgment.【C13】______ to the trend in contemporary aesthetic thought, critics have followed【C14】______ of two approaches. In one, criticism is restricted to the analysis and interpretation of the work of art.【C15】______ , it is devoted to articulating the response to the aesthetic object and to 【C16】______ a particular way of perceiving it. Over the years, aesthetics has developed into a broad field of knowledge and inquiry. The concerns of contemporary aesthetics include such【C17】______ problems as the nature of style. and its aesthetic significance; the relation of aesthetic judgment to cultures the 【C18】______ of a history of art; the【C19】______ of Freudian psychology and other forms of psychological study to criticisms and the place of aesthetic judgment in practical【C20】______ in the conduct of everyday affairs.

【C1】

A．for

B．as

C．to

D．with

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第2题

Aesthetic thought of a distinctively modern bent emerged during the 18th century. The west

ern philosophers and critics of this time devoted much attention to such matters【C1】______ natural beauty, the sublime, and representation——a trend reflecting the central position they had given to the philosophy of nature.【C2】______ that time, however, the philosophy of art has be come ever more【C3】______ and has begun to【C4】______ the philosophy of nature. Various issues【C5】______ to the philosophy of art have had a 【C6】______ impact【C7】______ the orientation of 20th - century aesthetics.【C8】______ among these are problems relating to the theory of art as form. and 【C9】______ the distinction between representation and expression. Still another far - reaching question has to do with the value of art. Two opposing theoretical positions【C10】______ on this issue: one holds that art and its appreciation are a means to some recognized moral good, 【C11】______ the other maintains that art is intrinsically valuable and is an end in itself. Underlying this whole issue is the concept of taste, one of the basic concerns of aesthetics. In recent years there has also been an increasing【C12】______ with art as the prime object of critical judgment. Corresponding to the trend in contemporary aesthetic thought,【C13】______ have followed【C14】______ of two approaches. In one, criticism is restricted to the analysis and interpretation of the work of art. 【C15】______ , it is devoted to articulating the response to the aesthetic object and to【C16】______ a particular way of perceiving it.

Over the years, aesthetics has developed into a broad field of knowledge and inquiry. The concerns of contemporary aesthetics include such【C17】______ problems as the nature of style. and its aesthetic significance; the relation of aesthetic judgment to culture; the【C18】______ of a history of art; the 【C19】______ of Freudian psychology and other forms of psychological study to criticism; and the place of aesthetic judgment in practical【C20】______ in the conduct of everyday affairs.

【C1】

A．for

B．as

C．to

D．with

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第3题

Aesthetic thought of a distinctively modem bent emerged during the 18th century. The weste

rn philosophers of this time devoted much attention to such matters 【C1】______ natural beauty and representation. 【C2】______ that time, however, the philosophy of art has become ever more 【C3】______ and has begun to 【C4】______ the philosophy of nature. Various issues 【C5】______ to the philosophy of art have had a 【C6】______ impact 【C7】______ the orientation of 20th century aesthetics. 【C8】______ among these are problems relating to the theory of art as form. and 【C9】______ the distinction between representation end expression. Still another question has to do with the value of art. Two opposing theoretical positions 【C10】______ on this issue: one holds that art and its appreciation are a means to some recognized moral good, 【C11】______ the other maintains that art is intrinsically valuable end is an end in itself. Underlying this whole issue is the concept of taste. In recent years there has also been an increasing 【C12】______ with art as the prime object of critical judgment. Corresponding to the trend in contemporary aesthetic thought, 【C13】______ have followed 【C14】______ of two approaches. In one, criticism is restricted to the analysis end interpretation of the work of art. 【C15】______ , it is devoted to articulating the response to the aesthetic object and to 【C16】______ a particular way of perceiving it.

Over the years, aesthetics has developed into a broad field of knowledge end inquiry. The concerns of contemporary aesthetics include such 【C17】______ problems as the nature of style. and its aesthetic significance; the relation of aesthetic judgment to culture; the 【C18】______ of a history of art; the 【C19】______ of Freudian psychology and other forms of psychological study to criticism; and the place of aesthetic judgment in practical 【C20】______ in the conduct of everyday affairs.

【C1】

A．for

B．as

C．to

D．with

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第4题

Rothko thought that modern art ______.A．was primitiveB．could be compared to children's pic

Rothko thought that modern art ______.

A．was primitive

B．could be compared to children's pictures

C．was already academic

D．was childish

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第5题

The slogan of aesthetic literature is“Art for Art's Sake”（)

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第6题

Which of the following is NOT what Hegel believed？A．The content and form. of the work of a

Which of the following is NOT what Hegel believed？

A．The content and form. of the work of art cannot be separated from each other.

B．The content of the work of art is always the true object of aesthetic interest.

C．The content presented without any individuality is not the content of the work of art.

D．The content understood by means of a process of discursive thought is no more than a husk.

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