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In what aspect does State University remain the same?A.The main campus.B.The student popul

In what aspect does State University remain the same?

A.The main campus.

B.The student population.

C.The age-old ideals.

D.The programs of the Division of Continuing Education.

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更多“In what aspect does State Univ…”相关的问题

第1题

What aspect of pronunciation does the following demonstrate?()A. Liaison.B. Rhythm.C.

A.A. Liaison.

B.B. Rhythm.

C.C. Pitc

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第2题

When I was in my early teens, I was taken to a spectacular show on ice by the mother of a
friend. Looked round at the luxury of the【M1】______ rink, my friends mother remarked on the "plush" seats we had been given. I did not know what she meant, and being proud of my【M2】______ vocabulary, I tried to infer its meaning from the context. " Plush" was clearly intended as a complimentary, a positive evaluation: that much I【M3】______ could tell it from the tone of voice and the context. So I started to use【M4】______ the word. Yes, I replied, they certainly are plush, and so are the ice rink and the costumes of the skaters, arent they? My friends mother was very polite to correct me, but I could tell from her expression that【M5】______ I had not got the word quite right. Often we can indeed infer from the context what a word roughly means, and that is in fact the way which we usually acquire both new【M6】______ words and new meanings for familiar words, specially in our own first【M7】______ language. But sometimes we need to ask, as I should have asked for【M8】______ plush, and this is particularly true in the aspect of a foreign language.【M9】______ If you are continually surrounded by speakers of the language you are learning, you can ask them directly, but often this opportunity does not exist for the learner of English. So dictionaries have been developed to【M10】______ mend the gap.

【M1】

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第3题

What is your ()to his coming?A、altitudeB、attitudeC、attributeD、aspect

What is your ()to his coming?

A、altitude

B、attitude

C、attribute

D、aspect

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第4题

The first thing to notice is that the media we're all familiar with—from books to televisi
on--are one-way propositions: they push their content at us. The Web is two-way, push and pull. In finer point, it combines the one-way reach of broadcast with the two-way reciprocity (互惠) of a mid-cast. Indeed, its user can at once be a receiver and sender of broadcast—a confusing property, but mindstretching!

A second aspect of the Web is that it is the first medium that honors the notion of multiple intelligences. This past century's concept of literacy grew out of our intense belief in text, a focus enhanced by the power of one particular technology-the typewriter. It became a great tool for writers but a terrible one for other creative activities such as sketching, painting, notating music, or even mathematics. The typewriter prized one particular kind of intelligence, but with the Web, we suddenly have a medium that honors multiple forms of intelligence—abstract, textual, visual, musical, social, and kinesthetic. As educators, we now have a chance to construct a medium that enables all young people to become engaged in their ideal way of learning. The Web affords the match we need between a medium and how a particular person learns.

A third and unusual aspect of the Web is that it leverages (起杠杆作用) the small efforts of the many with the large efforts of the few. For example, researchers in the Maricopa County Community College system in Phoenix have found a way to link a set of senior citizens with pupils in the Longview Elementary School, as helper-mentors (顾问). It's wonderful to sec-kids listen to these grandparents better than they do to their own parents, the mentoring really helps their teachers, and the seniors create a sense of meaning for themselves. Thus, the small efforts of the man—the seniors—complement the large efforts of the few—the teachers. The same thing can be found in operation at Hewlett-Packard, where engineers use the Web to help kids with science or math problems. Both of these examples barely scratch the surface as we think about what's possible when we start interlacing resources with needs across a whole region.

What does the word mind-stretching imply?

A.Obtaining one's mental power.

B.Strengthening one's power of thought.

C.Making great demands on one's mental power.

D.Exerting one's mental power as far as possible.

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第5题

A large part of effective leadership is dependent on something called "style". But style.
is difficult to teach, and what makes one leader great and another mediocre is not easily defined. Leadership always implies power, and a broad definition in this context is that leadership includes the power to influence thoughts and actions of others in such a way that they achieve higher satisfaction and/or performance. Over the past century, there have been three major approaches to understanding leadership.

Identifying leadership traits, or the physical and psychological characteristics of leaders, was the first formal approach, and had a lot of intuitive appeal. It owed its origins to the mm of the century (about 1904) when trait studies began. At this time most American leaders came from certain wealthy families, the vast majority were white males, and there were some social norms about what leaders looked like (tall, square jaw, well groomed, etc.). The original assumption that "leaders are born, not made" has been discredited, because there were too many exceptions to the traits to give them any credibility. Beginning after World War II, in sharp contrast to the trait approach, the behavioral approach looked at what a leader does, what behaviors leaders use that set them apart from others. This approach assumed that leadership could be learned. Virtually all of the studies focused on classifying behaviors according to whether they fell into a process or "people approach" (satisfying individual needs), or a "task approach" (getting the job done). The basis for this classification was in the discovery in social psychology that every group needs someone to fulfill both these roles in the group for it to be effective. The earliest of these studies began in Ohio State University and the University of Michigan in the late 1940s. Many of the early trait and behavioral writers tried to make their ideas applicable to all leadership situations. The earliest situational approach to leadership was developed in 1958. This approach strived to identify characteristics of the situation that allowed one leader to be effective where another was not. The trend later developed toward the third approach, understanding the unique characteristics of a situation and what kind of leadership style. best matches with these.

Which of the following questions does the author answer in Paragraph 1?

A.What is "style"?

B.Is power the most important aspect of leadership?

C.How many main historical approaches have there been to leadership?

D.Why is leadership so difficult to define?

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第6题

You might be confusing what you're good at with what you like to do,()avocations with vocations or confusing one aspect of a job with the whole job.(confuse)
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第7题

We find that bright children are rarely held back by mixed-ability teaching. On the con-tr
ary, both their knowledge and experience are enriched. We feel that there are many dis-advantages in streaming (按智力划分) pupils. It does not take into account the fact that children develop at different rates. It can have a bad effect on both the bright and the not-so-bright child. After all, it can be quite discouraging to be at the bottom of the top grade!

Besides, it is rather unreal to grade pupils just according to their intellectual ability. This is only one aspect of their total personality. We are concerned to develop the abilities of all our pupils to the full, not just their academic ability. We also value personal qualities and social skills, and we find that mixed-ability teaching contributes to all these aspects of learning.

In our classrooms, we work in various ways. The pupils often work in groups: this gives them the opportunity to learn to co-operate, to share, and to develop leadership skills. They also learn how to cope with personal problems as well as learning how to think, to make decisions, to analyze and evaluate, and to communicate effectively. The pupils learn from each other as well as from the teacher.

Sometimes the pupils work in pairs; sometimes they work on individual tasks and as-signments, and they can do this at their own speed. They also have some formal class teaching when this is appropriate. We encourage our pupils to use the library, and we teach them the skills they need in order to do this efficiently. An advanced pupil can do ad-vanced work: it does not matter what age the child is. We expect our pupils to do their best, not their least, and we give them every encouragement to attain this goal.

In the passage the author's attitude towards "mixed-ability teaching" is ______.

A.critical

B.questioning

C.approving

D.objective

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第8题

Rhyme Scheme is the pattern of the similarity of sound, usually refers to what happene
d at the ______of two or more lines.

A.acoustic aspect

B.end

C.beginning

D.sentence level

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第9题

Very often, entrepreneurs -- particularly smart entrepreneurs -- are overwhelmed by th

Very often, entrepreneurs -- particularly smart entrepreneurs -- are overwhelmed by the technological aspect, and they pay too little attention to what the customers want.()

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第10题

Passage OneQuestions 21 to 25 are based on the following passage. Every artist knows in hi

Passage One

Questions 21 to 25 are based on the following passage.

Every artist knows in his heart that he is saying something to the public. Not only does he want so say it well,but he wants it to be something which has not been said before. He hopes the public will listen and understand-he wants to teach them. and he wants them to learn from him. What visual artists like painters want to teach is easy to make out but difficult to explain,because painters translate their experiences into shapes and colors,not words. They seem to feel that a certain selection of shapes and colors,out of the countless billions possible,is exceptionally interesting for them and worth showing to us. Without their work we should never have noticed these particular shapes and colors,or have felt the delight which they brought to the artist. Most artists take their shapes and colors from the world of nature and from human bodies in motion and repose:their choices indicate that these aspects of the world are worth looking at,that they contain beautiful sights. Contemporary artists might say that they merely choose subjects that provide an interesting pattern,that there is nothing more in it. Yet even they do not choose entirely without reference to the character of their subjects. If one painter chooses to paint a gangrenous(生坏疽的)leg and another a lake in moonlight,each of them is directing our attention to a certain aspect of the world. Each painter is telling us something,showing us something,emphasizing something-all of which mean that,consciously or unconsciously,he is trying to teach us.

All artists are common in that______.

A. they use shapes and colors instead of words

B. they are trying to teach the public

C. what they want to teach is difficult to explain

D. they want to learn from the public

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